808S AND HEARTBREAK REVIEW YOUTUBE SERIES

Technically speaking, the lyrics would have emotionally coincided much better with the instrumentals had Kanye adhered to his old soul-sampling ways. Don’t get me wrong, the beats are fine, but with their electronica and pop influences, they just don’t fit.

“ There is no Gucci I can buy/There is no Louie Vutton to put on/There is no YSL they could sell/To get my heart out of this hell/And my mind out of this jail.”īut the problem with 808s & Heartbreak is that West doesn’t connect to his own beats.

808S AND HEARTBREAK REVIEW YOUTUBE SERIES

Obviously distraught over a series of unfortunate events, Mr. Through his singing, Kanye reminisces on topics such as heartbreak, loneliness, and love. While guys like T-Pain and Drake cannot get away with this, somehow, Kanye can – although barely – probably due to the fact he doesn’t heap on tons of vocoder. Not surprisingly, with the coming of his first pop album, also surfaces his first implementation of autotune and singing. Described by West himself as a “melancholic pop album,” in 808s & Heartbreak, Kanye attempts to express his sorrow, but makes a few errors in his execution. After his mother’s death and his unfortunate break up with his fiancée, he was bound to undergo some personal and musical alterations.

This is a totally different Kanye West: strange and unfamiliar in comparison to his previous work. Yes, everybody gets it, this isn’t the same man who made the more critically acclaimed albums College Dropout and Graduation. Otherwise, no matter its commendable fearlessness, the album is a listless, bleary trudge along West's permafrost.Review Summary: Much to the chagrin of technical value, Kanye creates his most interesting record of all time. ('Coldest Winter,' where West longs for his departed mother, samples the most desolate song from the first Tears for Fears album.) For anyone sifting through a broken relationship and self-letdown, this could all be therapeutic. Several tracks have almost as much in common with irrefutably bleak post-punk albums, such as New Order's Movement and the Cure's Pornography, as contemporary rap and R&B.

All the blocky drums, dragging strings, droning synths, and joyless pianos lead to a bleak set of productions - even the synthetic calliope in 'Heartless' is unnerved, and the relative pep of 'Paranoid' provides no respite, its bitter lyrics subverting a boisterous beat. girl.' Earlier in the album, the number she did on him is called 'the coldest story ever told,' yet he admits he still fantasizes about her. The majority of the lyrics, however, are directed at an ex who evidently did some damage in 'RoboCop' alone, she gets compared to the antagonist in Misery and is called a 'spoiled little L.A. When, in 'Welcome to Heartbreak,' he dispassionately recounts sitting alone on a flight, ahead of a laughing family, he makes first class sound like Siberia he'd swap lives with the father in an instant. In various spots across 808s & Heartbreak, the constant flutter of West's processed voice, along with a seldom interrupted sluggish march of aching sounds, is enlivened by the disarming manner in which despair and dejection are conveyed.

808s and heartbreak review youtube